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Ken Jacobs, Orchard Street, 1955/2014, 16 mm transferred to HD video, color, silent, 27 minutes 20 seconds.
Film
WINDOW SHOPPING
Amy Taubin on Ken Jacobs
Lowell Nesbitt, I.B.M. Disc Pack, 1965, oil on canvas, 64 × 80". © Estate of Lowell Nesbitt/licensed by VAGA at Artists Rights Society (ARS), NY.
On Site
BINARY PLASTIC LANGUAGE
Tina Rivers Ryan on “Coded: Art Enters the Computer Age”
View of “Tom Burr,” 2023, Bortolami, New York. From left: Floor Model (adolescent), 2022; Opening Sequence (blue), 2023. Photo: Guang Xu.
On Site
DO SAY GAY
David Joselit on Tom Burr
Simone Forti, Three Grizzlies, 1974, video, black-and-white, sound, 17 minutes.
Performance
WINDOWS ON THE WORLD
Claudia La Rocco on Simone Forti
Tabita Rezaire, Sugar Walls Teardom (detail), 2016, still from the HD video component (color, sound, 21 minutes 37 seconds) of a mixed-media installation additionally comprising a gynecological chair and mechanical arm. From “Think Tank: REPRODUCTIVE AGENTS.”
Slant
A WOMB WITH A VIEW
Nikki Columbus on the work of art in the age of mechanical reproduction
Michelangelo, Pietà, 1498–99, marble. Installation view, Vatican Pavilion, World’s Fair, New York, 1964–65.
Top Ten
JERRY TORRE
Jerry Torre shares his top ten
David Young, Cloud Canyon (b65a,c4600,a-19,3,6,4,44,50), 2019, AI/machine learning–generated digital image.
Features
GETTING SMART
hannah baer, Mario Carpo, and Zoë Hitzig reflect on the uses of AI
hannah baer nude deepfake, 2023.
Features
PROJECTIVE REALITY
hannah baer on mythologies of intelligence
Visualization from Daniel Bolojan/Nonstandardstudio’s Machine Perceptions: Gaudí + Neural Networks, 2021.
Features
IMITATION GAMES
Mario Carpo on the new humanism
Bennett Miller, Untitled, 2022–23, ink-jet print, 14 1⁄4 × 14 1⁄4".
Features
MOTION BLUR
Zoë Hitzig on Bennett Miller
Rosemarie Trockel, Ohne Titel (“Es gibt kein unglücklicheres Wesen unter der Sonne als einen Fetischisten der sich nach einem Frauenschuh sehnt und mit einem ganzen Weib vorlieb nehmen muss” K.K.:F.) (Untitled [“There is no more unfortunate creature under the sun than a fetishist who yearns for a woman’s shoe and has to settle for the whole woman” K.K.:F.]), 1991, bronze, artificial hair. Installation view, Museum für Moderne Kunst, Frankfurt, 2022. Photo: Frank Sperling. © Rosemarie Trockel/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn.
Features
IMPIETY
Lynne Cooke on the art of Rosemarie Trockel
Lygia Pape, Tecelar (Weaving), 1958, woodcut on paper, 16 1⁄8 × 23 1⁄4". © Projeto Lygia Pape.
Features
WEAVING THE METABOLIC RIFT
Michael Dango on the art of Lygia Pape
Pacita Abad, L.A. Liberty, 1992, acrylic, cotton yarn, plastic buttons, mirrors, gold thread, and painted cloth on stitched and padded canvas, 94 × 58". From the series “Immigrant Experience,” 1990–95. © Pacita Abad Art Estate.
Features
TAKING LIBERTY
Murtaza Vali on the art of Pacita Abad
Summer 2023
Features
CLOSE-UP: SEEK, MEMORY
Claire Bishop on Mike Nelson’s MAGAZIN: Büyük Valide Han, 2003
Mike Nelson, The Deliverance and The Patience, 2001, mixed media. Installation view, Hayward Gallery, London, 2023. Photo: Liam Harrison.
Features
THE LIMITED MOVEMENTS OF AN OUTMODED WORLD
Luke Skrebowski on the art of Mike Nelson
Alex Carver, The Recipients (wound site), 2023, oil on linen, 79 × 79". From the series “A Desired Mesh,” 2023.
Features
OPENINGS: ALEX CARVER
Dean Kissick on Alex Carver
Tolia Astakhishvili, once upon the time, (diagnoses and treatments), 2023, paint, coffee, dirt, ink, pigment, papier-mâché, plaster, chairs, blankets. Installation view, Bonner Kunstverein. Photo: Mareike Tocha.
Features
OPENINGS: TOLIA ASTAKHISHVILI
Kristian Vistrup Madsen on Tolia Astakhishvili
Lili Reynaud-Dewar, My Epidemic (Teaching Bjarne Melgaard’s Class) (detail), 2015, HD video (color, silent, 6 minutes 59 seconds), thirty-one curtains, paint. Installation view, 2023. Photo: Aurélien Mole.
Paris
“EXPOSé•ES”
Thomas (T.) Jean Lax on “Exposé•es”
Palais de Tokyo
hannah baer nude deepfake, 2023.
hannah baer nude deepfake, 2023.
SUMMER 2023
VOL. 61, NO. 10
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